What Is DVD?
by Jeff Shannon
By the time DVD ("Digital Video Disc" or "Digital Versatile
Disc") was introduced to the American public in March 1997, years of research
and development had preceded its arrival as the "next generation" format of home
entertainment. Consumer electronics manufacturers and movie studios established
an industry-wide DVD-video standard in 1996; and by the end of 1997, DVD players
had set sales records and well over 500 DVD movie titles had been released, with
the rate of new releases rapidly increasing from that point forward.
A DVD is identical in thickness (1.2 millimeters) and diameter (120 millimeters
or 4.7 inches) to a standard Compact Disc, but that's where the similarities
end. The DVD's storage capacity is seven times that of a CD, with a 4.7-gigabyte
capacity on a single-side/single-layer DVD. That's the data-storage equivalent
of a 133-minute movie, thus allowing 95 percent of all movies to fit comfortably
on a single-layer DVD, eliminating the need for "flipping" the disc and leaving
extra room for multiple audio, language, and subtitle tracks; bonus materials;
menu screens; and other features unique to DVD. This capacity is nearly doubled
(8.5 GB) on a single-side/dual-layer DVD, and quadrupled (17 GB) on a
double-side/dual-layer DVD, allowing DVD to flourish not only as a movie-lover's
format, but as an amazingly flexible medium (DVD-ROM) for high-definition
computer games and multimedia applications. In short, this makes DVD the home
entertainment and multimedia format of the new millennium.
Why should I bother with DVD?
Don't worry--you won't have to trash your VCR if you don't want to. But the
vastly improved audio and video quality of DVD, along with its durability and
flexibility (no rewinding, instant scene access, etc.) makes VHS pale in
comparison. You don't need an upgraded home-theater system (unless DVD makes you
want one!); and affordable DVD players are compatible with CDs, while some
"combo" models allow the playback of DVDs, CDs, and laserdiscs. With all major
movie studios now supporting the format, the selection of current and classic
movies on DVD (along with music videos, opera, documentaries ... you name it!)
is rapidly expanding, along with outlets for DVD sales and rentals.
From big screen to little disc (a basic primer)
Videophiles and laserdisc loyalists will debate the pros and cons of DVD for
years, but one thing is certain: the process of transferring a movie to DVD is
highly advanced and designed to deliver the highest quality of audio and video
available. For every video format (VHS, laserdisc, and DVD), the process begins
with "telecine" (TEL-a-sin-ee), but the procedures for DVD adhere to much higher
standards. The telecine process begins when light is passed through the film
(frame by frame, with exacting precision) and strikes an array of semiconductors
that convert the light into electrical signals. That information is then
digitally transferred to High Definition video (HD), which is capable of picture
resolution nearly equal to that of the original film.
The HD master can be color-corrected and further checked to match the original
film (a process often involving the film's director and cinematographer). Then
its massive data capacity must be compressed via MPEG-2 encoding (developed by
the Motion Picture Experts Group, or MPEG), which produces a varying rate of
transferred data to exploit similarities from one film frame to the next. Less
data is required for redundant details while more data is reserved for complex
details such as rain, smoke, crowd scenes, etc. (This process leads to
image-quality debates between laserdisc and DVD fanatics, due to the
idiosyncrasies of MPEG-2 compression, but DVD maintains a definite edge in
picture resolution.)
The MPEG-2 digital video transfer is later synchronized with all the audio
elements (soundtracks and language or commentary tracks) and then combined on a
specialized computer called a "multiplexer," along with all the potential
elements of DVD, including subtitles, menu files, chapter stops,
closed-captioning, parental-control information, regional encoding, and
copy-protection. This digitally combined information is then recorded onto a
tape drive, which is then checked for signal integrity, further inspected for
quality control, and finally used as the data source from which a master DVD can
be made for unlimited duplication.
What does it all mean?
Don't let the techno-babble fool you--find a local consumer outlet and
test-drive DVD for yourself, and remember how readily the public traded in their
vinyl records for music CDs. The same phenomenon appears to be happening with
DVD, although VHS videotapes are far too entrenched in the market to disappear
anytime soon. However, as it becomes clear that DVD will avoid the niche-market
fate of laserdiscs to become the accepted format for home entertainment,
DVD--with its convenience, affordable cost, and superior performance--speaks for
itself.
Jeff Shannon is a Seattle-based freelance writer focusing primarily on films
and filmmakers. |